In order to represent the process of light perception, we created a light sculpture capable of making the light journey visible throughout the space. The installation is made of 4 square metal frames that host, on their inner side, 16 mirrors reflecting the projected light onto the fog. The mirrors are oriented in such a way that allows the generation of an infinite series of light compositions, sometimes symmetric, some other times chaotic and random.
The square shape has been chosen for its symbolic meaning: the square is connected to the earth and is linked to number 4, as 4 are the natural elements water, fire, earth, air. It is on these elements that the light is reflected, absorbs colour and is transformed into sounds and shapes. The driver of this transformation is an algorithm that analyzes real-time photography of pure, pristine landscapes and ‘informs’ the light accordingly. The pictures have been collected during travels across Cambodia, Vietnam, Mongolia, Iceland and Australia. Cortex analyses the images one by one and - resembling the functioning of the human eye retina - turns their RGB and greyscale data into a series of ‘instructions’, a framework of rules that generates the soundscape and models the light. The installation changes over time, evolving along with the images, each time giving its own ‘interpretation’ of what is being shown.